DEBUSSY - 12 ETUDES PIANO
DEBUSSY - 12 ETUDES PIANO
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Since the early 19th century, the piano etude developed as a performance piece for independent genre. Especially Etudes by Frédéric Chopin, Franz Liszt and Scriabin went beyond the mere exercise proper limits and found cope their place in the concert repertoire.
While Chopin etudes as evidence youthful championship his pianistic style early and lastingly defined and Liszt's twelve large studies in its three versions exemplary medium-developing his musical and pianistic tonal language and understood that Douze Etudes Claude Debussy appeared rather as late résumé, as completion and condensation of his piano style. They represent one of the last great contributions to the genre of etudes represent and are at the same time the completion of Debussy's piano works.
Through a precise, fine-grained stop the richness of color leaves in Debussy technically demanding music put on the piano in the appropriate tone.
While Chopin etudes as evidence youthful championship his pianistic style early and lastingly defined and Liszt's twelve large studies in its three versions exemplary medium-developing his musical and pianistic tonal language and understood that Douze Etudes Claude Debussy appeared rather as late résumé, as completion and condensation of his piano style. They represent one of the last great contributions to the genre of etudes represent and are at the same time the completion of Debussy's piano works.
Through a precise, fine-grained stop the richness of color leaves in Debussy technically demanding music put on the piano in the appropriate tone.